Surrounded by the Aravllies and interpressed by translucent lakes, Udaipur provides panoramic views which are just breathe taking. In contrast to its desert neighborhood it stands out with an mesmerizing image of White Marble Palaces, Placid Blue Lakes, Fantasy Palaces shimmering in mirror calm lakes, Havelis, Temples and romantic collection of exotic gardens surrounded by hills and mountains. Climate Udaipur's autumn / winter climate is the most appealing time to pay her a visit. Tourists arrive in numbers, anytime between mid-September to late March or early April. Even in January, the coldest month, the days are bright, sunny and warm with maximum temperature around 28.3 °C (82.9 °F). Mornings, evenings and nights are cold with minimum temperature around 11.6 °C (52.9 °F) especially if there is a slight breeze in the air.
As the Mughal empire weakened, the Sisodia ranas, and later maharanas (also called the Guhilots or Suryavansh), who had always tried to oppose Mughal dominance, reasserted their independence and recaptured most of Mewar except for Chittor. Udaipur remained the capital of the state, which became a princely state of British India in 1818. Being a mountainous region and unsuitable for heavily armoured Mughal horses, Udaipur remained safe from Mughal influence in spite of much pressure. The rajvansh of Udaipur was one of the oldest dynasty of the world. Even the Nepal kingdom and Jammu kingdom are believed to have been originated from Mewar.
Fateh Sagar Lake This delightful lake, bordered by hills and woodland was constructed by Maharana jai Singh to the north of Lake Pichola. It is an artificial lake dug up in 1678, reconstructed by Maharana Fateh Singh A canal links the two, via Swaroop Sagar and Rang Sagar Lakes. The beautiful Nehru Island as well as an islet bearing a solar observatory rises from the lake.
Lake Fateh Sagar is a medium-sized perennial storage reservoir constructed in the year 1678 A. D. by the rulers of former Mewar State. Although primarily constructed for irrigational purpose, this water body has lately formed a second major source of drinking water for the city of Udaipur. The main feeder canal of the lake comes from Madar tank situated at a higher altitude about 15 km from Udaipur City. Lake Fateh Sagar is also connected to the adjoining Lake Pichhola through a canal having gates. This (former) lake has somewhat pear-like shape and is surrounded by hills except on its eastern side where a straight masonry dam of about 800 m length is located. The lake lies on the northwest of main Udaipur city.
The runoff emerging from surrounding hillocks drains into this lake. Along the eastern shore line runs a beautiful serpentine road which has a stone wall on the lake periphery. This lake has got three prominent islands. The largest is developed into a public park. The second island is situated on the northern side and has an installation of solar observatory. The smallest island on the western side near shore supports a jet fountain. The western bank of lake is occupied by marginal agricultural field. The vegetation cover around the lake is scanty. However, several species of plants are found along the undulating roads and hillocks around this lake.
Leaching of nutrients from the catchment area and agricultural activities in the marginal areas of the lake has influenced the nutrient level of this water body. Similarly, incoming silt has also reduced the water holding capacity of this lake. Lakes are focal point for social and economic activities of Udaipur people. Every year thousands of tourists from India and abroad come to this 'City of Lakes'. Yet this water body is facing acute shortage of water sometimes due to scanty rains. For checking loss of water through evaporation, Public Health Engineering Department (PHED) has been using cetyl alcohol (hexadecanol) during drought period. In the year 1972 the lake exhibited heavy bloom of blue green algae Microcystis. In 1978, local citizen groups and environmental conservation organizations undertook desilting operation through human labour wherein about 10 thousand truck loads of silt were removed from the shallow basin of this lake
Jaisamand Lake (51kms) Maharana Jai Sigh had built this picturesque artificial lake. It the second largest lake in Asia. The lake has elegant step leading to the water and marble Chhatri (cenotaphs) on its bank and a small Shiv temple marks the grace of the lake. On either side are the palaces built for the king favourite queens. The local tribe for Bhils still inhabit the island.
Rajsamand Lake On the way to Kumbhalgarh lies their royal lake with a magnificent dam created in the 17th century offers a spectacular views of the sunset adorned by beautiful Torans [arches] and Chhatris And number of attractive pavilions. Stunning sculpture and Sanskrit verses are vividly inscribed in store a small counterpart of Nathdwara. Forts & Palaces in Udaipur
City Palace City Palace towers over the Pichola Lake. Maharana Uday Singh initiated in the construction of the palace but succeeding Maharanas added several palaces and structures to the complex retained a surprising uniformity to the design. The entry to the Palace is from the Hati Pol, the Elephant gate.
The Bari Pol or the Big gate brings you to the Tripolia, the Triple gate. It was once a custom that the Maharana would weigh under this gate in gold and silver, which was distributed to the populace. It is also now the main ticket office. Balconies, cupolas and towers surmount the palace to give a wonderful view of the lake.
Suraj Gokhada or the balcony of the sun is where the Maharana would grant public audiences mainly to boost the morale of the people in difficult times. The Mor Chawk is the peacock square and gains its name from the vivid blue mosaic in glass of a peacock that decorates its walls.
The main part of the palace is now preserved as a museum displaying a large and diverse array of artefacts. Down steps from the entrance is the armoury museum exhibiting a huge collection of protective gear, weapons including the lethal two-pronged sword. The City Palace museum is then entered through the Ganesh Deori meaning the door of Lord Ganesh.
This leads to the Rajya Angan, the royal courtyard that is the very spot where Maharana Udai Singh met the sage who told him to find a city here. The rooms of the palace are superbly decorated with mirror tiles and paintings. Manak Mahal or the Ruby Palace has a lovely collection of glass and mirror work while Krishna Vilas display a rich collection of miniature paintings.
Moti Mahal or the pearl palace has beautiful mirror work and the Chini Mahal has ornamental tiles all over. The Surya Chopar or the sun square depicts a huge ornamental sun symbolising the sun dynasty to which the Mewar dynasty belongs. The Bari Mahal is a central garden with view of the city. Some more beautiful paintings can be seen in the Zenana Mahal or the ladies chamber, which leads to Lakshmi Chowk a beautiful white pavilion.
FatehPrakash Palace It's like being cocooned in authentic royal luxury at the Fateh Prakash Palace, the grand heritage palace of the HRH group. The warmth of royal hospitality greets you as you walk along the corridors lined with large paintings of the Mewar school that flourished in the seventeenth through nineteenth century. Advertise Here The lake facing suites in the turrets are suitably appointed with four poster beds and period furniture, festooned with maroon velvet curtains and delicate silk tassels. It's a legacy kept alive since the early decades of the twentieth century when Maharana Fateh Singh (period of reign : 1884 - 1935) used to be the royal occupant of this palace. Till date the formality of royal occasions are maintained.
The Lake Palace The Lake Palace is located on the Jag Niwas Island and covers the whole of 1.5 hectare of the island in the middle of the Pichola Lake. Built by Maharana Jagat Singh in 1743 it was meant as a royal summer palace and now converted in to a five star palace hotel. Advertise Here It is a magical palace and its image in the middle of the lake is like a leaf straight out of a fairy tale book with an excellent taste of intricate craftsmanship and the ethnic themes using the textiles and handicrafts all over highlight the beauty that is simply beyond compare the lake around makes a pleasant murmur with its rippling waves and lapping that adds to the mesmerising moments.
The Lake Palace is one of the most beautiful palaces in the world, arising out of the Turquoise Waters of the Pichola like an elegant fantasy in white marble. The Lake palace was built in the 17th century on a natural foundation of 4 acers of rock. It was initially called Jaginwas after its founder Maharana Jagjit Singh.
The Maharana, ruler of Jaipur from 1628 to 1654, was very friendly with Mughal Emperor Shah Jahan and encouraged his craftsmen to copy some of the glories of his incomparable buildings at Agra. The successive rulers used this cool haven as their summer resort, holding their regal durbars in its courtyards.
These courtyards lined with columns, pillared terraces, fountains and gardens all add to its impressive image. The rooms are decorated with cusped arches, inland stones of pink, and green lotus leaves and painted mirrors.
apartments like the Bada Mahal, Kush Mahal, Ajjan Niwas, Phool Mahal and Dhola Mahal. All enhance the romance of the elegant setting. Among the facilities available are swimming pool, conference hall and a bar. Other events of recreation organised here are excursions in and around and a bar other events of recreation organised here are excursions in and around Udaipur.
Monuments & Havelies in Udaipur
Bagore-Ki-Haveli This is a very congenial old building built right on the waterfront of Lake Pichola at Gangori Ghat. Amir Chand Badwa, the Prime Minister of Mewar built it in the eighteenth century. The palace has over hundred rooms and some very interesting display of costumes and modern art. The glass and mirror in the interiors of the Haveli delicate work and well preserved too. It also preserves a fine example of Mewar Painting on the walls of Queen's Chamber. The two peacocks made from small pieces of colored glasses are fine examples of glasswork.
After the death Badwa the building became the property of Mewar State. It came to be occupied by Maharana Shakti Singh of Bagore who built the palace of the three arches also in 1878 and it acquired its name of Bagore-ki-haveli, the house of Bagore. After independence the structure lay in neglect until 1986 when it housed the West Zone Cultural centre.
The haveli now stages delightful evening's entertainment; the pleasurable performance of Rajasthani traditional dance and music in the moody surroundings of the haveli. It is an ideal place for an evening entertainment while enjoying the view of Lake Pichola
Maharana Pratap Memorial This is a very congenial old building built right on the waterfront of Lake Pichola at Gangori Ghat. Amir Chand Badwa, the Prime Minister of Mewar built it in the eighteenth century. The palace has over hundred rooms and some very interesting display of costumes and modern art. The glass and mirror in the interiors of the Haveli delicate work and well preserved too. It also preserves a fine example of Mewar Painting on the walls of Queen's Chamber. The two peacocks made from small pieces of colored glasses are fine examples of glasswork.
The haveli now stages delightful evening's entertainment; the pleasurable performance of Rajasthani traditional dance and music in the moody surroundings of the haveli. It is an ideal place for an evening entertainment while enjoying the view of Lake Pichola.
Museums in Udaipur
City Palace Museum The main part of the palace is now preserved as a museum displaying a large and diverse array of artefacts. Down steps from the entrance is the armoury museum exhibiting a huge collection of protective gear, weapons including the lethal two-pronged sword.
The City Palace museum is then entered through the Ganesh Deori meaning the door of Lord Ganesh. This leads to the Rajya Angan, the royal courtyard that is the very spot where Maharana Udai Singh met the sage who told him to find a city here. The rooms of the palace are superbly decorated with mirror tiles and paintings. Manak Mahal or the Ruby Palace has a lovely collection of glass and mirror work while Krishna Vilas display a rich collection of miniature paintings. Moti Mahal or the pearl palace has beautiful mirror work and the Chini Mahal has ornamental tiles all over.
The Surya Chopar or the sun square depicts a huge ornamental sun symbolising the sun dynasty to which the Mewar dynasty belongs. The Bari Mahal is a central garden with view of the city. Some more beautiful paintings can be seen in the Zenana Mahal or the ladies chamber, which leads to Lakshmi Chowk a beautiful white pavilion.
Shilpgram Museum Literally meaning a "Craftsmen's Village" is a living ethnographic museum depicting the enormous diversities in craft, art & culture between various Indian states, but the exquisite terracotta work mainly in dark red and dark brown sand material along with the wooden carvings are the forte of this ethnic village . Shilpgram comprises 26 huts set in 70 acres of natural surroundings at the foot of the Aravali Hills. A colourful craft festival during winter seasons to the whole set up induces viatanity and zeal.
Situated 3 kms west of Udaipur near the Havala village is the Centre's Shilpgram - the Rural Arts and Crafts Complex. Spread over an undulating terrain of 130 bighas (70 Acres) of land and surrounded by the Aravallies, the Rural Arts and Crafts Complex is conceived as a living enthnographic museum to depict the lifestyles of the folk and tribal people of the West Zone. Within this complex, huts of the member states are constructed incorporating traditional architectural features of different geographical and ethnic groups residing within the West Zone of India comprising of five Federal States.
One of the important objectives of Shilpgram is in the sphere of increasing awareness and knowledge of rural life and crafts, specifically, for the younger generation. Special emphasis is laid on workshops for children on arts, crafts, theatre and music.
The Rural Arts and Crafts Complex - Shilpgram - would also provide an opportunity to rural and urban artists to come together and interact through the process of camps and workshops. It is hoped that through intimate observation of different styles and experiences, urban and rural artists would learn from one another and enrich their skills and art forms. The Centre promotes contemporary urban ceramists, potters, designers, visual artists etc. to work with their traditional counterparts in creating works of everyday art which would then be put up for exhibition and sale for visitors.
The Center developed two Museums in the Shilpgram where simple objects of day-to-day use, that represent the sense of wonder and aesthetics in rural and tribal life are put on display. In addition, a Crafts Bazar in the fashion of a traditional 'haat' was made where visitors could buy traditional crafts from the Zone. Craftsman were invited periodically to demonstrate their skills and sell the crafts to the visitors at the Shilpgram.
An attraction no less of the Rural Arts and Crafts Complex is the open air Amphitheatre with a seating capacity of approximately 8000. Besides the major theatre festivals which the Centre hold here, it is hoped that this facility would motivate the local community as well as outside visitors to take a keener interest in theatre and the traditional folk performing arts.
Shilpdarshan is a continuing activity at Shilpgram in which traditional performing artists and craftsmen are used to draw from the interior villages of the member states. They are regularly invited to exhibit their skill and to demonstrate their crafts, and sell their masterpieces in order to have direct access to the buyers. This programme has encouraged the rural craftsmen and performers in a big way. The Shilpgram has become an important landmark in India and Government of India has decided to replicate them in all the Federal States of India.
In these traditional huts, household articles of everyday use - whether terracotta or textile, wooden or metal, along with decorative objects and implements - agricultural or craftsmen's tools, etc. are featured with appropriate signages and explanatory details. The objective is to give a realistic glimpse of the people and their belongings representing Unity in Diversity and National Integration.
In order that the above is vested with its own internal dynamism, the huts are constructed around an interlocking occupational theme. Traditional village life was said to have been, to a considerable extent, self-contained and self-sufficient with a potter, a carpenter, a blacksmith, often a weaver, living alongside one another. The Centre's Rural Arts and Crafts Complex adopts this cellular approach such that each individual hut is at once an organic entity and at the same time nourishing and husbanding a series of such transactions.
In this integrated pattern are 5 huts from Rajasthan, representing weaver's community from Marwar. There are 2 huts named after the two sand bound villages of Rama and Sam from the desert region of western Rajasthan. From the hilly region of Mewar, is a potter's hut from the village Dhol, 70 kms west of Udaipur. Two huts represent the tribal farmer communities of the Bhil and the Sehariyas of the Southern regions of Rajasthan.
There are 7 representative huts from the state of Gujarat. A cluster of six huts from Banni area and one from Bhujodi have been selected from the arid wastelands of Kutch. the Banni cluster consists of two huts each of the Rebari, Harijan and Muslim communities famous for their weaving, embroidery, bead & mirrorwork, wood work and rogar work. Equally well known for its valiant horses, Lambdia village near Poshina in North Gujarat is represented with a potter's hut. Adjoining to the Lambdia potter's workshop at the Shilpgram is the weaver's hut from Vasedi village in Chota Udaipur area in western Gujarat. Two huts represent the Dang and Rathwa tribal farmer communities of southern Gujarat. In addition to these, there is an ornately carved wooden house from Pethapur near Gandhinagar.
Selected after an exhaustive survey of the Konkan coast of Maharashtra, the Koli hut is from a seashore hamlet in Raigarh district. Close to the Koli hut stands one from Kolhapur - representing leather chappal craftsmen from southern Maharashtra. From Thane district in north Maharashtra is aWarli hut replete with its wall paintings. The tribal farmer community of the Kunbis is also represented along with two huts of the Gond and Maria tribal communities from eastern Maharashtra famous for their 'dokra' work.
From the member state of Goa, there are 5 representative huts. A potter's hut from Bicholim stands in close proximity to a Hindu hut and Christian hut made of local laterite stone. From the lush green taluka of Canacona is a typical hut of the Kulumbi tribal agriculturalists renowned for their grass and cane weaving work. A hut chosen from the Mandovi riverside represent the traditional fisherman's way of life.
Thus each member state of the West Zone has huts derivative of certain basic occupations fundamental to the way of life of the people of the area. In addition, certain occupations feature a commonality so as to offer a basis for comparison. For example, three member states have a potter's hut since working with the earth is fundamental to all our cultures. What is interesting to highlight is how Indian people have fashioned and reshaped this basic element to suit their environment, needs and aesthetics. Similarly, two member states of the West Zone feature weaving, again as an affirmation of how geography and needs have given rise to such a variety in this most basic of occupations. Also while the above are illustrative and not exhaustive, the occupations and crafts to be shown will differ so as to cover a wider variety of our crafts heritage.
In order to ensure that a visit to Rural Arts and Crafts Complex - Shilpgram - becomes an educative and enriching experience, the hut from Sam (Marwar) is planned as the Activity and Documentation Section where workshops, seminars etc.can be organised. Similarly the cluster of Banni and Bhujodi huts from Gujarat would comprise of Guest Room facilities for the visiting master craftsmen, researchers and scholars. A Goan mainstream hut and Mewar potters hut can accommodate children and students.
Ahar Museum Located about 2 kms east of Udaipur is an impressive cluster of cenotaphs of the Maharanas of Mewar. There are about nineteen cenotaphs of Maharanas cremated there. The most striking cenotaph is that Maharana Amar Singh, who reigned from 1597 to 1620. Nearby is also Ahar Museum, where on display is limited but very rare earthen pottery. Some sculptures and other archaeological finds. Some pieces date back to 1700 BC and a tenth century metal figure of Buddha is a special attraction.
Vintage Collection of Classic Car Museum The collection within the grounds of the Garden Hotel comprises a variety of classic and interestingly rare transportation vehicles; some stately and vintage like Cadalec, Chevalate, Morais etc., while the others are sleek and fast.
The Maharanas of Udaipur once possessed and used these regal splendours of automobiles as their luxuries but most of the other models are gradually being added to the collection ,since it provides a unique aristocratic safari for the exclusive guests. Shopping
Udaipur has numerousshops and many interesting local crafts that make it a one-of-its-kinds shopping experience. A plethora of items like folk toys, colourful tie-dye sarees and clothes, turbans, hand painted fabrics, silver Jewellery, wall hangings and miniature paintings in Rajput Style are the favourite buys. The beautiful images of gods and goddesses made in the nearby Molalla village near Nathdwara are not to be missed. The shopping spots include a cluster of stalls on the Lake Palace road next to the Rang Niwas Palace Hotel and the Jagdish Temple.
It also served the rulers of Mewar as a refuge in times of strife. The fort also served as refuge to the baby king Udai of Mewar. It is also of sentimental significance as it is the birthplace of Mewar's legendary King Maharana Partap. The fort is self-contained and has within its amalgam almost everything to withstand a long siege.
The fort fell only once that too to the combined armies of Mughal and of Amber for scarcity of drinking water. Many magnificent palaces an array of temples built by the Mauryas of which the most picturesque place is the Badal Mahal or the palace of the clouds. Haldighati The extensive terra firma, towards the south west of Nathdwara, this historical site witnessed the great legendry battle fought between Maharana Pratap and the Mughal Emperor -Akbar in 1576 AD. See Your AD Here The vast terrain that was supposedly covered with blood (the sand turned Red in colour) evokes a chill in the spine till date and envelopes a feel of nostalgia, this was the place where the heroic Chetak the gallant charger with his dedicated loyalty towards his chivalrous master (the Maharana Pratap) proved his worth by co-operating till his last breath.
A 'Chhatri' with delicate white marble is dedicated both to the indomitable hero and his loyal charger, is note worthy. A jeep drive to this place is rather interesting. Ranakpur Beautiful sculptured Jain temples mark the glory of this renowned place. Marked as one of the five holy places for the Jain community, these were created in the 15 the century. During the reign of Rana Kumbha and are enclosed within a wall. The central Chaumukha [four faced temple] is dedicated to Adinathji the temple is an astounding creation with 29 halls and 1,444 pillars all distinctly carved and no two being alike is a amazing evidence of the genius sense of architecture that enhances the charm of the place. Every temple has this conceivable surface carved with equal delicacy.
The ambience of Ranakpur is mainly highlighted by the location and the almost divine architecture, giving the same hue as its counter part - the great Dilwara Temple's. in Mt-Abu. Facing the main temple are the unique temples -Parasvanath - Neminath with exquisite figures carving similar to that Khujaraho sculptures. Another temple worth visiting is the nearby 'Sun Temple' dedicated to the 'Sun God' (Surya-the master of all the planets and the provider of light to the whole universe) adorned with polygonal wall, richly embellished with the carvings of warriors, horses and solar (Nakshatras, grahs') deities riding splendid 'chariots' the vehicle of the 'Sun God'- which accordingly to the Hindu Mythology is the God of prosperity and a shining destiny in this world. Many throng this shrine for these blessings. Overall Ranakpur is known as ' The tranquil pilgrimage town'. For the buffs a ride to the outskirts like ' Sadari' - 'Desuri'- 'Ghanerao'- 'Narhai', serves the purpose of their satisfaction. Ghanerao Is a small town famous for its castle now converted into a hotel. The castle's highlight in the pavilion in the central court, where the musicians would perform. Also near the castle are the cenotaphs of former rulers. Mahavir Temple, a Jain Temple is also one of the highlights of the town.
By Air Debock Airport is 24 km from the city centre, Dairy Indian Airliness flights connect Udaipur with Jodhpur Jaipur aurangbad, Mumbai and Delhi.
by Rail Udaipur is directly linked by rail with major cities some important train connection are : 9643 Express (Delhi Sarai Rohilla-Jaipur-Ajmer-Chittaurgarh-Udaipur.)
by Road A wide network of bus service link Udaipur with several destinations. Some of the important distance are Agra 630km, Ahmedabad 262 km Jaipur 406 km .Jodhpur 275km and Mount Abu 185km.
Local Transport Unmetered taxis, auto-rickshaws, tongas, city bus, regular city bus service is available for dabok airport, badi Lake, Bedala and shaeliyon ki Bari.
Geography Katra or Katra Vaishno Devi, as it is popularly known, is a small town in Jammu and Kashmir, India, situated in the foothills of the Trikuta Mountains, where the holy shrine of Mata Vaishno Devi is located. It is part of the Udhampur District and is located 42 km from the city of Jammu Mata Vaishno Deviji The Holy Cave of the Mother is situated at an altitude of 5200 ft. The Yatris have to undertake a trek of nearly 12 km from the base camp at Katra. At the culmination of their pilgrimage, the yatries are blessed with the Darshans of the Mother Goddess inside the Sanctum Sanctorum- the Holy Cave. These Darshans are in the shape of three natural rock formations called the Pindies. There are no statues or idols inside the Cave. The Holy Cave of the Mother is situated at an altitude of 5200 ft. The Yatris have to undertake a trek of nearly 12 km from the base camp at Katra. At the culmination of their pilgrimage, the yatries are blessed with the Darshans of the Mother Goddess inside the Sanctum Sanctorum- the Holy Cave. These Darshans are in the shape of three natural rock formations called the Pindies. There are no statues or idols inside the Cave. A pilgrimage to the Holy Shrine of Shri Mata Vaishno Devi Ji is considered to be one of the holiest pilgrimages of our times. Popular the world over as Moonh Maangi Muradein Poori Karne Wali Mata, which means, the Mother who fulfills whatever Her children wish for, Shri Mata Vaishno Devi Ji resides in a Holy Cave located in the folds of the three peaked mountain named Trikuta (pronounced as Trikoot). The Holy Cave attracts lakhs of devotees every year. In fact, the number of Yatris visiting the Holy Shrine annually now exceeds 5 million. This is due to the unflinching faith of the devotees who throng the Shrine from all parts of India and abroad. Mata Vaishno Devi is a form of the Hindu goddess Durga. According to legend a young girl Vaishno was created by the Gods to fight the demons in the Treta yug. According to common Hindu religious belief Mata Vaishno grants the four important boons of righteousness, material pursuits, contentment and enlightenment to all those who visit this sacred place of worship. Usually devotees offer coconuts, dry fruits and red net scarves as a token of worship to the deity tourist attraction Vaishno Devi Shrine Katra Regarded as one of the most revered Hindu pilgrimages, the Vaishno Devi Shrine is frequented by a large number of devotees every year to seek the blessings of Mother Goddess who resides in the cave. The Goddess here is worshipped in three forms -Maha Kali, Maha Saraswati and Mahalakshmi. Jahan Kosha Katra Located just a km away from Katra, Jahan Kosha-a massive canon which is about 17.5ft long was built by Janardhan Karmakar, a 17th century craftsman from Dhaka. There is a lovely mosque which is believed to have the footprint of the revered prophet Hazrat Mohammad. Baba Dhansar Katra A popular picnic spot, Baba Dhansar is situated at a distance of 10kms from Katra. Known for its picturesque setting with dense grove of trees, lovely spring dipping out of the mountainside, cluster of lovely watefalls, a naturally formed Shivling where one can really see water dipping naturally throughout the year make this place a pictorial delight. This place is also known for the huge fair that is held during Shivratri. Dera Baba Banda Katra Located at a distance of 30 kms from the town, Dera Baba Banda is one of the revered Hindu-Sikh pilgrimage centres. Baba Banda Bairaagi also known as the 'Saint Soldier' of Guru Gobind Singh. The Gurudwara built by Baba Bairaagi on the banks of river Chenaab is frequented by people of other faiths. Aghar Jitto Katra Aghar Jitto or the Shrine of Baba Jitto, a devotee of Maa Vaishno Devi is situated at a distance of 5km from the town. It is believed that if any pre- natal women take a dip in the holy spring water flowing in front of the shrine, safe delivery of baby is assured. Shivkhori Katra Placed at a distance of 70km from the town, Shivkhori or the Holy Cave in the shape of the Damroo of Lord Shiva which is about half a kilometre long and has a 4feet high naturally formed Shiv-lingam right in the heart of the Sanctom Sanctorum. The most attractive feature of the cave is the sight of the natural milky water falling from the top of the Lingam signifying the eternity of the river Ganga. getting to Katra By Air The Jammu Airport is the nearest airport located at a distance of 55kms from Katra. One can easily get several airline offices which provide regular flight service to Jammu By Rail The Jammu Railway station located at a distance of 50kms is the nearest railway station from Katra. Jammu is easily accessible from any part of Indiaas it enjoys healthy rail network. By Road The National Highway connects Katra with other parts of India. One can hire taxis which are easily available at Jammu and Katra.
AMRITSAR history The history of Amritsar boasts of a perfect mix of Hindu and Sikh culture. Founded by Guru Ram Das in the year 1547, the city has been the home to various sages and saints. Although the history of Amritsar can be traced back to the Indus Valley Civilisation, it also has been referred in the various Puranas and the famous mythological epic Ramayana. According to the legend, this city was the site of the ashram of Rishi Balmiki as well as the birth place of Lord Ram’s son – Luv and Kush. The city boasts of Greek influence under Alexander during 326 BC. However, the Mauryas defeated the Greeks thus possessing the throne of Amritsar. The rulers of the Gupta Empire ruled here from the 4th to the 6th century followed by the rule of Shahi Dynasty and further under the kingship of Sultan Mahmood of Ghazani. Sikh came on the scene of Amritsar in the 16th century when Sikh Guru Ram Das and his successor Guru Arjan Dev established a temple around a small pool. It was during this time, that the city got its name Amritsar. The city is famous for the Jallianwala Bagh tragedy in which thousands of people were killed by the British.
location Amritsar is 280 miles from Delhi and only 16 miles from Wagha, an outpost of the Indo-Pakistan border. With a population of about 4,00,000 and a number of educational institutions, business enterprises, industrial concerns, banks, hotels, parks and restaurants, Amritsar still remains the largest and the most important city of Punjab.
tourist attraction Shri Hari Mandir Sahib - Golden Temple Amritsar The Golden Temple Amritsar India (Sri Harimandir Sahib Amritsar) is not only a central religious place of the Sikhs, but also a symbol of human brotherhood and equality. Everybody, irrespective of cast, creed or race can seek spiritual solace and religious fulfilment without any hindrance. It also represents the distinct identity, glory and heritage of the Sikhs. To pen-down the philosophy, ideology, the inner and outer beauty, as well as the historical legacy of Sri Harimandir Sahib is a momentous task. It is a matter of experience rather than a of description. As advised by Sri Guru Amar Dass Ji (3rd Sikh Guru), Sri Guru Ram Dass Ji (4th Sikh Guru) started the digging of Amrit Sarovar (Holy Tank) in 1577 A.D., which was later on brick-lined by Sri Guru Arjan Dev Ji (5th Sikh Guru) on December 15, 1588 and He also started the construction of Sri Harimandir Sahib. Sri Guru Granth Sahib (scripture of the Sikhs), after its compilation, was first installed at Sri Harimandir Sahib on August 16, 1604 A.D. A devout Sikh, Baba Budha Ji was appointed its first Head Priest. The Golden Temple Amritsar India (Sri Harmandir Sahib Amritsar) has a unique Sikh architecture. Built at a level lower than the surrounding land level, The Gurudwara teaches the lesson of egalitarianism and humility. The four entrances of this holy shrine from all four directions, signify that people belonging to every walk of life are equally welcome. The Jalianwala Bagh The Jallianwala Bagh is located about a quarter of a mile from the Golden Temple. It is the Memorial which commemorates the sacrifices of hundreds of men, women and children who were victims of ruthless firing of the British forces. The incident took place on April 13, 1919, when thousands of people had gathered in Jallianwala Bagh to voice their feelings against the repressive policies of the British Government. General Dyer tried to silence the gathered crowd with volleys of bullets which, according to official estimates, took a toll of 397 lives and wounded another 1,200 persons. The Jallianwala Bagh massacre accentuated political awakening in India and brought Mahatma Gandhi to the forefront of Indian political life. The bullet marks can be seen to this day on the boundary walls of the garden. Jallianwala Bagh has been turned into a spacious and well-laid park where people from all parts of the country come to visit. The historic Rambagh Garden outside the City is a big attraction in the evenings when people throng its green parks to relax and breathe fresh air. This garden is laid out in the pattern of Shalimar Bagh at Lahore. Several clubs operate in the Garden which also houses the well-known summer Palace of Maharaja Ranjit Singh. Durgiana Temple A partial replica of the Golden Temple, the Durgiana temple is situated outside the Lohgarh Gate. It is dedicated to the Goddess Durga and is frequented by devout Hindus. Wagah Border The international borderline between India and Pakistan, Wagah is always been in the news headlines of both countries. Convoluted buildings, barriers and roads mark both sides of the border. The fencing between the borders is electrified with very high voltage. The Swarna Jayanthi gate, which is the entry gate of the outpost, commands the magnificent scenery of verdant landscapes. Situated in between Lahore and Amritsar, evenings in this army outpost is very charming and colourful with the "Beating the Retreat" ceremony. The pageantry and pomp, and the change of guard within a short expanse make an appealing spectacle, which grabs large gathering. The most important segment of the ceremonial parade is the bringing down of the respective flags of both countries. Tourists and the locals throng near the border to witness the ceremonial parade of the Soldiers of the two countries. When the sun sets in the horizon, the soldiers take their departure amidst the beatings of the drums and beguiles. The entire ceremony nearly takes thirty minutes. getting to amritsar
about delhi Delhi is a city that bridges two different worlds. Old Delhi, once the capital of Islamic India, is a labyrinth of narrow lanes lined with crumbling havelis and formidable mosques. In contrast, the imperial city of New Delhi created by the British Raj is composed of spacious, tree-lined avenues and imposing government buildings. Delhi has been the seat of power for several rulers and many empires for about a millennium. Many a times the city was built, destroyed and then rebuilt here. Interestingly, a number of Delhi's rulers played a dual role, first as destroyers and then as creators. The city's importance lies not just in its past glory as the seat of empires and magnificent monuments, but also in the rich and diverse cultures. No wonder chroniclers of Delhi culture - from Chand Bardai and Amir Khusro to present days writers - have never been at a loss for topics. In Delhi, you will discover that the city is sprinkled with dazzling gems: captivating ancient monuments, fascinating museums and art galleries, architectural wonders, a vivacious performing-arts scene, fabulous eating places and bustling markets. Delhi has been the political hub of India. Every political activity in the country traces its roots here. This was true even of the mythological era. The Pandavas of the Mahabharata had their capital at Indraprastha, which is believed to have been geographically located in today's Delhi. tourist attraction Akshardham Temple Swaminarayan Akshardham reflects the essence and magnitude of India's ancient architecture, traditions and timeless spirituality.
The main monument, depicting ancient Indian "vastu shastra" and architecture, is a marvel in pink sandstone and white marble that is 141 feet high, 316 feet wide and 370 feet long with 234 ornate pillars, over 20,000 sculptures and statues of deities, eleven 72-foot-high huge domes (mandapams) and decorative arches. And like a necklace, a double-storied parikrama of red sandstone encircles the monuments with over 155 small domes and 1,160 pillars. The whole monument rises on the shoulders of 148 huge elephants with 11-feet tall panchdhatu statue of Swaminarayan presiding over the structure. The other attractions of the complex are three exhibition halls spaced around two huge ponds, where one is a venue for light-and-sound show. The three halls are "Sahajanand Darshan", "Neelkanth Darsdhan" and "Sanskruti Vihar". "Sahajanand Darshan" is where life of Swaminarayan is displayed through robotic shows, while "Neelkanth Darsdhan" has a huge I-Max theatre screening movie based on the life of the Lord. Another amazing presentation is "Sanskruti Vihar" with 12-minute boat ride experience of India's glorious heritage.
The sprawling Swaminarayan Akshardham complex spread over 30 acres on the banks of the Yamuna near Noida Mor in East Delhi. For visitors, entry to the complex is free. However, those who want to visit exhibition halls and theatres, Rs.125 is to be paid and for children and senior citizens the charges are Rs.75. "Over 6,000 visitors could easily witness the shows and enjoy boat-rides everyday, while over 25,000 people can visit the temple. We have deployed almost 140 guides who will facilitate visitors during their visit. It requires at least four hours to visit the entire complex thoroughly and see all the shows," said a temple management committee member, adding that the opening ceremony would be telecast live on Aastha channel. Elaborate security arrangements have also been made for the entire complex. Besides installing close circuit television cameras it has also deployed hundreds of its own security personnel.
The Rs.400-crore cultural complex, inspired by Pramukh Swami Maharaj of the Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha (BAPS), will be popularised by its builders as "a place for cultural education and entertainment". The temple complex has drawn inspiration for its architecture from the historic temples of Badrinath (Uttaranchal), Somnath (Gujarat) and Konark (Orissa). It is the second Akshardham complex in the country after the one at Gandhinagar in Gujarat. Azad Hind Gram Azad Hind Gram Tourist Complex at Tikri Kalan is a project developed by Delhi Tourism to honour Netaji Subhash Chandra Bose and to create quality leisure space and wayside amenities for the citizens.Located within two kilometers of the Delhi Haryana border on NH-10, the architecture of the project is inspired by North Indian achitectural style and the traditions of Indian craftsmanship.
The elaborate mosaic domes surrounding the museum and the memorial are the focus of the complex which offers the facilities of extensive plazas, an amphitheatre, tourist information centre, souvenir and garden shop, food kiosks, a restaurant, public toilets, drinking water, public telephone and convention facilities. Bahai Temple East of Nehru place, this temple is built in the shape of a lotus flower and is the last of seven Major Bahai's temples built around the world. Completed in1986 it is set among the lush green landscaped gardens.
The structure is made up of pure white marble The architect Furiburz Sabha chose the lotus as the symbol common to Hinduism, Buddhism, Jainism and Islam. Adherents of any faith are free to visit the temple and pray or meditate.
Around the blooming petals there are nine pools of water, which light up, in natural light. It looks spectacular at dusk when it is flood lit. Birla Mandir Laxmi Narayan Temple, also known as Birla Mandir, is one of Delhi's major temples and a major tourist attraction. Built by the industrialst G.D. Birla in 1938, this beautiful temple is located in the west of Connaught Place.
The temple is dedicated to Laxmi (the goddess of prosperity) and Narayana (The preserver). The temple was inaugurated by Mahatma Gandhi on the condition that people of all castes will be allowed to enter the temple. Delhi Haat The craftsmen who are registered with D.C.Handicrafts are the ones who are eligible to find a place here. The stalls selling handicrafts are allotted on a rotational basis to craftsmen who come from all corners of the vast & varied land of India at nominal payment for a period of 15 Days. This ensures that visitors get to buy authentic wares at prices that have not been inflated by high maintenance costs. You can also savour the inimitable flavors of the delightful local foods from the various regions of India be it the momos from Sikkim or the Bamboos hot chicken from Nagaland, Kahwa & Kebabs from Jammu, Pooranpoli from Maharastra or the Gujrati Dhokla. The food stalls offer you variety of foods served in an Eco friendly manner.
The DILLI HAAT provides the ambience of a traditional Rural Haat or village market, but one suited for more contemporary needs. Here one sees a synthesis of crafts, food and cultural activity.
This Food and Craft Bazar is a treasure house of Indian culture, handicrafts and ethnic cuisine, A unique bazaar, in the heart of the city, it displays the richness of Indian culture on a permanent basis. Garden of Five Senses The Garden of Five Senses is not just a park, it is a space with a variety of activities, inviting public interaction and exploration. The project, developed by Delhi Tourism Transportation Development Corporation, was conceptualized to answer to the city's need for leisure space for the public, for people to socialize and unwind. Such spaces add atmosphere and life to a city and cater to all sections of the society. The twenty-acre site, located at Said-Ul-Azaib village, close to the Mehrauli heritage area in New Delhi, is spectacular. The Garden was inaugurated in February 2003. Majestic rocks stand silhouetted against the sky, others lie strewn upon the ground in a casual yet alluring display of nature's sculptural genius. It was the ideal ground on which to realize the concept of a public leisure space that would awaken a sensory response and thereby a sensitivity to the environment. Jama Masjid This great mosque of Old Delhi is the largest in India, with a courtyard capable of holding 25,000 devotees. It was begun in 1644 and ended up being the final architectural extravagance of Shah Jahan, the Mughal emperor who built the Taj Mahal and the Red Fort. The highly decorative mosque has three great gates, four towers and two 40 m-high minarets constructed of strips of red sandstone and
white marble. Travellers can hire robes at the northern gate. This may be the only time you get to dress like a local without feeling like an outsider so make the most of it. India Gate At the centre of New Delhi stands the 42 m high India Gate, an "Arc-de-Triomphe" like archway in the middle of a crossroad. Almost similar to its French counterpart, it commemorates the 70,000 Indian soldiers who lost their lives fighting for the British Army during the World War I. The memorial bears the names of more than 13,516 British and Indian soldiers killed in the Northwestern Frontier in the Afghan war of 1919. The foundation stone of India Gate was laid by His Royal Highness, the Duke of Connaught in 1921 and it was designed by Edwin Lutyens. The monument was dedicated to the nation 10 years later by the then Viceroy, Lord Irwin. Another memorial, Amar Jawan Jyoti was added much later, after India got its independence. The eternal flame burns day and night under the arch to remind the nation of soldiers who laid down their lives in the Indo-Pakistan War of December 1971. Jantar Mantar Jantar Mantar (Yantra - instruments, mantra - formulae) was constrcted in 1724. Maharaja Jai Singh of Jaipur who built this observatory went on to build other observatories in Ujjain , Varanasi and Mathura. Jai Singh had found the existing astronomical instruments too small to take correct measurements and so he built these larger and more accurate instruments. The instruments at Jantar Mantar are fascinating for their ingenuity, but
accurate observations can no longer be made from here because of the tall buildings around. Parliament House The Parliament house is a cirular colonnaded building . It also houses ministerial offices,numerous committee rooms and an excellent library as well. Conceived in the Imperial Style, the Parliament House consists of an open verandah with 144 columns. The domed circular central hall with oak paneled walls and the three semi circular buildings are used for the Rajya Shabha and Lok Shabha meetings. The instruments at Jantar Mantar are fascinating for their ingenuity, but
accurate observations can no longer be made from here because of the tall buildings around. Purana Quila One does not have to go far to see the old fort or Purana Quila standing stoically amidst wild greenery.Built on the site of the most ancient of the numerous cities of Delhi, Indraprastha, Purana Quila is roughly rectangular in shape having a circuit of nearly two kilometers. The thick ramparts crowned by merlons have three gateways provided with bastions on either side. It was surrounded by a wide moat, connected to river Yamuna, which used to flow on the east of the fort. The northern gate way, called the Talaqui darwaza or the forbidden gateway, combines the typically Islamic pointed arch with Hindu Chhatris and brackets; whereas the southern gateway called the
Humayun Darwaza also had a similar plan. Qutab Minar Qutab Minar is a soaring, 73 m-high tower of victory, built in 1193 by Qutab-ud-din Aibak immediately after the defeat of Delhi's last Hindu kingdom. The tower has five distinct storeys, each marked by a projecting balcony and tapers from a 15 m diameter at the base to just 2.5 m at the top. The first three storeys are made of red sandstone; the fourth and fifth storeys are of marble and sandstone. At the foot of the tower is the Quwwat-ul-Islam Mosque, the first mosque to be built in India. An inscription over its eastern gate provocatively informs that it was built with material obtained from demolishing '27 Hindu temples'. A 7 m-high iron pillar stands in the courtyard of the mosque. It is said that if you can encircle it with your hands while standing with your back to it your wish will be fulfilled. The origins of Qutab Minar are shrouded in controversy. Some believe it was erected as a tower of victory to signify the beginning of the Muslim rule in India. Others say it served as a minaret to the muezzins to call the faithful to prayer. No one can, however, dispute that the tower is not only one of the finest monuments in India, but also in the world. Qutab-ud-din Aibak, the first Muslim ruler of Delhi, commenced the construction of the Qutab Minar in 1200 AD, but could only finish the basement. His successor, Iltutmush, added three more storeys, and in 1368,Firoz Shah Tughlak constructed the fifth and the last storey. Red Fort The Red sandstone walls of the massive Red Fort (Lal Qila) rise 33-m above the clamour of Old Delhi as a reminder of the magnificent power and pomp of the Mughal emperors. The walls, built in 1638, were designed to keep out invaders, now they mainly keep out the noise and confusion of the city. The main gate, Lahore Gate, is one of the emotional and symbolic focal points of the modern Indian nation and attracts a major crowd on eachIndependence Day. The vaulted arcade of Chatta Chowk, a bazaar selling tourist trinkets, leads into the huge fort compound. Inside is a veritable treasure trove of buildings, including the Drum House, the Hall of Public Audiences, thewhite marble Hall of Private Audiences, the Pearl Mosque, Royal Baths and Palace of Color. getting to Delhi By Air Nearest airport is Indira Gandhi International Airport, which is 12 km far from certral city of Delhi. By Rail Nearest railway head is Delhi Cantt. Though Delhi has five railway stations, the New Delhi Station and the Old Delhi station are the major ones. Some major trains like the Mumbai-Rajdhani-Nizamuddin operates from Nizamuddin railway station which is in south Delhi. By Road Delhi is well connected with bus services of Delhi Transport Corporation (DTC) and state roadways of the neighbouring states like Haryana and Uttar Pradesh to all important cities and destinations in North India.